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Sound
In the cinema realm, sound artist, sound designer, re-recording mixer, and supervising sound editor Jeremiah Moore realizes sound-visions collaboratively with filmmakers, fusing emotional and subjective realms with tactile and spatial realism. Highlights include sound design for Oscar-nominated documentary short "Last Day of Freedom", Joshua Izenberg's celebrated short "Slomo," and work for Pixar, McSweeney's, the Kitchen Sisters, Pacho Velez, Courtney Stephens, Cathy Lee Crane, Ellen Bruno, Irene Lusztig, Leslie Tai and Harrod Blank. Projects projects premiering at Sundance, Berlinale, Tribeca, SXSW, Toronto and True/False among others.
In the cinema realm, sound artist, sound designer, re-recording mixer, and supervising sound editor Jeremiah Moore realizes sound-visions collaboratively with filmmakers, fusing emotional and subjective realms with tactile and spatial realism. Highlights include sound design for Oscar-nominated documentary short "Last Day of Freedom", Joshua Izenberg's celebrated short "Slomo," and work for Pixar, McSweeney's, the Kitchen Sisters, Pacho Velez, Courtney Stephens, Cathy Lee Crane, Ellen Bruno, Irene Lusztig, Leslie Tai and Harrod Blank. Projects projects premiering at Sundance, Berlinale, Tribeca, SXSW, Toronto and True/False among others.
Collaborative projects beyond cinema include sound diffusion design and integration for Ai WeiWei's "@LARGE" on Alcatraz island with collaborators Moment Audio, and a 100-channel live-mix of The Residents' "Eskimo" at the Exploratorium. His mix for new-music project "Slow Beethoven" launched at Laurie Anderson's studio in NYC and made the 2023 billboard charts.
In addition to operating creative sound studio jeremiahmooresound.com, Jeremiah is a solo sound artist, a co-founder of The TANK Center for Sonic Arts, and co-founder of Bay Area Sound Ecology. He lives in San Francisco with his sons and partner.
--from personal website