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Bigas Luna聽was a Spanish聽film director. He began his professional career in the design world, creating the聽'Estudio Gris'聽with聽Carlos Riart聽in 1969. In his earlier exhibitions, at the beginning of the聽sixties, he showed a great interest in聽conceptual art聽and the emerging visual technologies. Esteemed as an atypical director in the聽Spanish cinema, in 1986 he retired to聽Tarragona聽in order to devote his time to painting. In 1990 the聽producer聽Andr茅s Vicente G贸mez聽persuaded him to return to cinema and entrusted to him the direction of聽'Las edades de Lul煤', a film which reached the general public. Without abandoning his dedication to painting and photography, reflected in numerous exhibitions, he began the well-known聽'Trilog铆a Ib茅rica'聽with聽'Jam贸n Jam贸n',聽'Huevos de Oro'聽and聽'La teta y la luna'. Subsequently, with the short film for internet聽'Collar de Moscas'聽(2001), he revived his interest in聽avant-garde聽experimentation and audiovisual formats and at the same time he discovered a vocation for the investigation of digital cinema after the creation of the聽'Taller Bigas Luna'聽project with聽Catalina Pons聽in 1999. The experience in the Taller introduced them to the world of new technologies and in 2002 they promoted聽PLATAFORM BL, dedicated to the creation and promotion of innovative projects and new talents. Despite being catalan, he is a lover of the aragonese culture. He re-designed an old folkloric cabaret caf茅 'El Plata' in Zaragoza.
Bigas Luna聽was a Spanish聽film director. He began his professional career in the design world, creating the聽'Estudio Gris'聽with聽Carlos Riart聽in 1969. In his earlier exhibitions, at the beginning of the聽sixties, he showed a great interest in聽conceptual art聽and the emerging visual technologies. Esteemed as an atypical director in the聽Spanish cinema, in 1986 he retired to聽Tarragona聽in order to devote his time to painting. In 1990 the聽producer聽Andr茅s Vicente G贸mez聽persuaded him to return to cinema and entrusted to him the direction of聽'Las edades de Lul煤', a film which reached the general public. Without abandoning his dedication to painting and photography, reflected in numerous exhibitions, he began the well-known聽'Trilog铆a Ib茅rica'聽with聽'Jam贸n Jam贸n',聽'Huevos de Oro'聽and聽'La teta y la luna'. Subsequently, with the short film for internet聽'Collar de Moscas'聽(2001), he revived his interest in聽avant-garde聽experimentation and audiovisual formats and at the same time he discovered a vocation for the investigation of digital cinema after the creation of the聽'Taller Bigas Luna'聽project with聽Catalina Pons聽in 1999. The experience in the Taller introduced them to the world of new technologies and in 2002 they promoted聽PLATAFORM BL, dedicated to the creation and promotion of innovative projects and new talents. Despite being catalan, he is a lover of the aragonese culture. He re-designed an old folkloric cabaret caf茅 'El Plata' in Zaragoza.